I don't want to stop dreaming anymore,
I can't forget the truth,
I stay with him,
get to the end and come back.
The violin of devil, sonata of evil,
song in second from the most beech.
I don't want to forget and lose,
get to the end and come back.
Mägo de Oz- The Violin of Devil
Few nights ago, I could not say how many,
the sky cried terrified and in the fury of the storm I plunged into myself
seeking refuge from the cold torrent of icy water that the sky was flowing. And
so, immersed in myself, maybe spoke to myself, perhaps what many call God as
not a few great philosophers and men of faith presumed to have found in the
austere solitude of a hermitage; I do not know either and I know that I will not
ever have the certainty of being just that Secret
Master residing in the consciousness of which talk The Hermetic Doctrines or some personal demon who with stubborn
certainty did his work with rejoicing, bringing from the past anguish, sorrow
and torment so atrocious that neither the science nor the magic of my
desecrated mind have managed to purge. I do not know how to name it. Even
discerning the dark realms of the occult and experimenting with the sciences of
Goetia1 and Necromancy2 I did not know
him by name but something true and certain is that his imposing
presence had not ever faced, neither his powerful and yet melodic voice, my
heart had squeezed. If I had been a benevolent God, in so terrible tortures
to me I would not ever have been involved, speaking
of love, that forgotten force motive of the movement of the universe, deformed
with cruelty by mankind. Life-creating force that for me has been nothing but a
heavy shackle, the source of all my evils.
God or unnamable demon make me face the
sins and mistakes by which life had become for me in something as gray as the
clouds that unleashed its lightning with unrestrained fury against the earth on
that dreary night. Forced me to remember with dreadful terror, the tenderness
and divine peace that my true love in this life gave me how a food of the soul
in a cold night, thanks to my selfishness, passion unleashed, cruelty full of
pride and intolerant rancor, rested placid, sheltered him in other arms and
that God made me see the fruit of my seed lovingly calling the man who now took
care of she and guided her steps with tenderness. The love of two people whom I
had rejected.
There was more sorrow and pain when I
found myself leaning on a stiff bed, submerged in a chemical lethargy,
imagining other paradises where the grief was less intense but He, gentle took
me by one hand and invited me to stand up an follow him, I do accept with
submission. I contemplated with my dilated pupils like that woman by whom I
reached the limit of my actions and emotions, enjoyed her life, now secured
between material prosperity and social recognition, sharing the mattress empty
of mutual feelings with other men, who took her as a pride trophy and herself
was granted that place; then subdued by the pain of the heart turned into
pieces, I wished with all my being that every orgasm that experienced her
beautiful body, was a thousand and a million times more intense, pleasant and
glorious than the one experienced the last time
I shared her bed for make the love would not ever again receive fullness,
coarsened by pride, fear or the voluptuousness of desire. I cried like a child
of an orphanage, abandoned of everything that had once invited me to live.
Turning my back on the abominable vision, I tried to sing to disperse the
terrible memories. In a heartbreaking and broken thread of voice, from my heart
came verses that I remember with stormy clarity:
Resist
more this that kills me,
the
absent sound of your voice,
the ruins
of my heart without calm,
this are
the condemnations of my soul.
Lust
unleashed by your body,
suffering
every night that I don't have you.
Alone
imagining your figure,
I can't
quench such infamous sadness.
Gluttony,
by your lips I was devoured,
not ever
quenching the infinite hunger,
of your
sweet honeys for me forbidden,
I don't know
to who, now promised.
Greed,
because I want you just for me,
to not ever
let you go of my side,
because
if your love is not mine,
Better
dead, I cannot stand it!
Sloth or
rather tired,
because
my desire to fight was exhausted,
not
receiving more response than complaints,
reproaches
or disappointments I’ve won.
Vanity
deformed,
looking
at a dirty glass,
the
reflection of a tortured soul,
despised
of fake morality sown.
Fury and
wrath consumed me.
I don't
deserve more than your redolence?
It's a merciless
and cruel punishment
to keep
me at your feet pleading?
Envy
sick,
of those
who without knowing conditions,
your soul
keeps sheltered
and I,
waiting to see your beautiful face.
Pride
mine that I will not abandon,
call me
when you depend on me,
because
today and not ever
you will
find who, like I, loves you.
I ran through this world of infernal
memories, the grief of which made me feel as the most corrupt of Saint Peter successors or an infant
rapist who had taken as a victim at the innocent, tender and unhappy reflection
of himself in a dimension where time and space were altered to shape an even
more cruel world on the surface of my consciousness. Cause this immaculate
maiden to than I offer my life in an impossible crusade against the hardships
of life, to my eyes, at that moment of dantesque lucidity, it was nothing more
than a simple mortal.
Then the indefinable entity that guided my
steps through my mind disturbed by infamous memories, smiled satisfied as I
looked at my face distorted by anguish and grief. At that time I defined it
just as "He".
Yes, was a God, there was no doubt in me,
the same being who guided the diaspora according to The Old Testament: jealous, spiteful, vindictive and cruel; He
whispered in my ear:
-Well you do have deserved!-
It was true, the cost that I have to be
paid for letting me overcome in former times for the love and passion that I
knew would not correspond me, because it had ever been based on the ambiguity
of a non-reciprocal utility.
We continued walking through that universe
created by the torment of my mind alienated by the ungrateful memories, the
medical drugs and that God of indefinable aspect stepped forward in front of me
taking me by the hand. I followed him like a child under the good guidance of
his father; then the black mists that covered everything became shred in the
nothing. This God, perhaps created by my conscience, whispered of my ear in a
soft, melodic, sweet voice with a faint air of mocking irony, if not rather, a
disguise of a cruel horselaugh:
-Here begins the true sorrow!-
I opened my eyes in a cold sweat, the
torrential rain continued out of my room and I covered just my modesty with a
cotton piece; I took from the bureau a blade of sharp steel that I had warned
in case of the soul pain was unbearable, with the hope and certainty that the
heartbreaking caress of the cold steel on my skin would wane a little, just a
little the terrible pain... but it was not like that:
On the other side of the glass, beneath
the torrential and icy rain, a slender silhouette of black hair and dazzling
eyes of love and tenderness, sobbed and mourned her pain in solitude. I ran to
her to take her in my arms and kiss her from head to foot trying to comfort
just a little her infamous suffering. He allowed me to go to her but the doors
of my room did not give in to my daring efforts, I hit the windows and broke my
hands in disturbing squeaks but not ever gave up down the fragility of the
place for where the sun greets me every morning.
I cried with impotence and sadness to see
the slender muse of the liberation of my loneliness, to cry disconsolate and
was tearing her own skin hoping that the poison that was infecting her heart
would escape.
On a
January night
fell the
tempest of a dream,
a dream
that mitigated
the cold
of a winter raw.
Bounded
in a white room,
lying in
a soft bunk
and
beside me, wrapped in tears,
an angel
that in my darkest fantasies,
unabashed
I admired her.
The venom
still ran through my veins
and in
those of that divine entity,
the pain
of a penalty maybe the lost,
from the
sky where came from.
Her
beauty wings,
white as
pure snow,
that some
demon, perhaps internal,
merciless
has ripped off.
And
seeking to comfort her,
to seeing
embodied in woman,
animated,
I approach.
Being a
sinful man
lie would
if deny
that from
this moment,
In my
mind, to lust subjugated.
I
stripped and kissed her
in every
corner of her sacred being,
not one
of her hair,
escape of
my lascivious touch.
And in my
volatile imagination,
I made
her mine, again and again,
without
respect to her holy condition,
nor of
her thin body of compassion.
With
laborious tenderness
I took
her in my arms
and at
the end of the fantasy,
I could
not do more
offer her
some water.
That
earned me her favor,
situation
that not ever can be paid,
just like
a glimpse of faith
for if
the Creator did not exist,
To my
arms not ever sent her,
although
time has passed,
that
angel incarnated in woman,
whose
kisses taste to honey.
With such
a soft touch
like the
clouds of which,
for an
infamous error,
fell into
this hell,
where
love is grief.
Now I
just want,
have the
cunning of Luzbel
to not
let her go back to heaven
and like
Lilith, build a paradise
for that
angel by a mistake fallen.
Desperate I cut my arms, legs and face,
hands and chest but the closed door did not give up just a little, nor the in
the windows crystals before my fists shattered and that damned God, smiling
before my regret and pain played in his languid fingers with the key of the
door that I separated me from the longed for peace.
I woke up in a cold sweat, my eyes flooded
with saline tears that mingled their diamond drops with the crimson liquid that
flowed from the furrows created by my blackened claws, turning into watery
rubies. Once again I was confined within the walls of a house of madness; The
slender and tender Venus with black
hair that in its glorious torment rose in syncretism to the immaculate Ishtar3 shrine visits me
time to time as well as my anguished biological family. Meanwhile
I hope to leave one day of this prison disguised as sanatorium, just one day,
so that once again, that God, take me by the hand to another stormy dream and
not ever again, allow me to wake up.
_____
1.- Goetia or Goëtia (Medieval Latin; anglicised as goety /ˈɡoʊ.ᵻti/) is a practice that includes the conjuration of demons, specifically the ones summoned by the Biblical figure, King Solomon. The use of the term in English largely derives from the 17th-century grimoire The Lesser Key of Solomon, which features an Ars Goetia as its first section. It contains descriptions of the evocation, or "calling out", of seventy-two demons, famously edited by Aleister Crowley in 1904 as The Book of the Goetia of Solomon the King. Goetic Theurgy, another practice described in the Lesser Key of Solomon, is similar to the book's description of Goetia, but is used to invoke aerial spirits.
2.- Necromancy (/ˈnɛkrəˌmænsi, -roʊ-/) is a supposed practice of magic involving communication with the deceased – either by summoning their spirit as an apparition or raising them bodily – for the purpose of divination, imparting the means to foretell future events or discover hidden knowledge, to bring someone back from the dead, or to use the deceased as a weapon, as the term may sometimes be used in a more general sense to refer to black magic or witchcraft. The word "necromancy" is adapted from Late Latin necromantia, itself borrowed from post-Classical Greek νεκρομαντεία (nekromanteía), a compound of Ancient Greek νεκρός (nekrós), "dead body", and μαντεία (manteía), "divination by means of"; this compound form was first used by Origen of Alexandria in the 3rd century AD. The Classical Greek term was ἡ νέκυια (nekyia), from the episode of the Odyssey in which Odysseus visits the realm of the dead and νεκρομαντεία in Hellenistic Greek, rendered as necromantīa in Latin, and as necromancy in 17th-century English.
3- Ishtar was the Mesopotamian goddess of love, beauty, sex, desire, fertility, war, combat, and political power, the East Semitic (Akkadian, Assyrian and Babylonian) counterpart to the Sumerian Inanna, and a cognate of the Northwest Semitic goddess Astarte and the Armenian goddess Astghik. Ishtar was an important deity in Mesopotamian religion from around 3500 BCE until its gradual decline between the 1st and 5th centuries CE with the spread of Christianity. Ishtar is primary symbols were the lion and the eight-pointed star. She was associated with the planet Venus and subsumed many. Important aspects of her character and her cult from the earlier Sumerian goddess Inanna. Nonetheless, she was different from her predecessor in several notable ways. The Babylonian version of the story of her descent into the Underworld is similar to the Sumerian version, but also contains several notable divergences. For instance, her assistant in the story is the male god Papsukkal rather than the female Sumerian Ninshubur. In the standard Akkadian version of the Epic of Gilgamesh, Ishtar is portrayed as a spoiled and hot-headed femme fatale who unleashes the Bull of Heaven, resulting in the death of Enkidu and Gilgamesh rejects his demand that he become her consort. This stands in sharp contrast with Inanna's radically different portrayal in the earlier Sumerian epic of Gilgamesh, Enkidu, and the Netherworld. Although various publications have claimed that Ishtar name is the root behind the modern English word Easter, reputable linguists have unanimously rejected these putative etymologies as entirely false.
1.- Goetia or Goëtia (Medieval Latin; anglicised as goety /ˈɡoʊ.ᵻti/) is a practice that includes the conjuration of demons, specifically the ones summoned by the Biblical figure, King Solomon. The use of the term in English largely derives from the 17th-century grimoire The Lesser Key of Solomon, which features an Ars Goetia as its first section. It contains descriptions of the evocation, or "calling out", of seventy-two demons, famously edited by Aleister Crowley in 1904 as The Book of the Goetia of Solomon the King. Goetic Theurgy, another practice described in the Lesser Key of Solomon, is similar to the book's description of Goetia, but is used to invoke aerial spirits.
2.- Necromancy (/ˈnɛkrəˌmænsi, -roʊ-/) is a supposed practice of magic involving communication with the deceased – either by summoning their spirit as an apparition or raising them bodily – for the purpose of divination, imparting the means to foretell future events or discover hidden knowledge, to bring someone back from the dead, or to use the deceased as a weapon, as the term may sometimes be used in a more general sense to refer to black magic or witchcraft. The word "necromancy" is adapted from Late Latin necromantia, itself borrowed from post-Classical Greek νεκρομαντεία (nekromanteía), a compound of Ancient Greek νεκρός (nekrós), "dead body", and μαντεία (manteía), "divination by means of"; this compound form was first used by Origen of Alexandria in the 3rd century AD. The Classical Greek term was ἡ νέκυια (nekyia), from the episode of the Odyssey in which Odysseus visits the realm of the dead and νεκρομαντεία in Hellenistic Greek, rendered as necromantīa in Latin, and as necromancy in 17th-century English.
3- Ishtar was the Mesopotamian goddess of love, beauty, sex, desire, fertility, war, combat, and political power, the East Semitic (Akkadian, Assyrian and Babylonian) counterpart to the Sumerian Inanna, and a cognate of the Northwest Semitic goddess Astarte and the Armenian goddess Astghik. Ishtar was an important deity in Mesopotamian religion from around 3500 BCE until its gradual decline between the 1st and 5th centuries CE with the spread of Christianity. Ishtar is primary symbols were the lion and the eight-pointed star. She was associated with the planet Venus and subsumed many. Important aspects of her character and her cult from the earlier Sumerian goddess Inanna. Nonetheless, she was different from her predecessor in several notable ways. The Babylonian version of the story of her descent into the Underworld is similar to the Sumerian version, but also contains several notable divergences. For instance, her assistant in the story is the male god Papsukkal rather than the female Sumerian Ninshubur. In the standard Akkadian version of the Epic of Gilgamesh, Ishtar is portrayed as a spoiled and hot-headed femme fatale who unleashes the Bull of Heaven, resulting in the death of Enkidu and Gilgamesh rejects his demand that he become her consort. This stands in sharp contrast with Inanna's radically different portrayal in the earlier Sumerian epic of Gilgamesh, Enkidu, and the Netherworld. Although various publications have claimed that Ishtar name is the root behind the modern English word Easter, reputable linguists have unanimously rejected these putative etymologies as entirely false.